Rat Creature's Journal

I want to expand the bowtruckle drawing I posted a couple of days ago into a series, because I like drawing creatures, and I think it would be fun to have something like multiple plates from this imaginary old encyclopedia from the HP universe, especially ones with slightly more obscure bests that you don't see that often featured in fanart. But I'm undecided which beast to tackle next, hence this poll over at my LJ to help me decide. (I can't do polls here at IJ, so you can either vote over there, or just comment here with your favorite creature.)

Fandom: Harry Potter
Characters/Pairings: a bowtruckle
Media used: pencil, fine liner pen with waterproof indian ink, black tea, GIMP
Rating/warnings: G, none
Notes/comments: The drawing is finished, however I hope there'll be better text eventually that would make it seem more like an excerpt from an old book about magical creatures from the HP universe. For now I've just added some text labeling it like a plate in an encyclopedia would be, so you have to imagine the suitable text going with it. Its style is supposed to reminiscent of early encyclopedias, like Diderot's from the 18th century with copperplate engravings of observed plants and animals. My attempt at this isn't very convincing because this is the first time I've done a b/w picture in ink with crosshatching since I think 9th? grade when we learned the technique in school, but considering that it is not so bad. I may do more HP beasts in this style eventually as part of this imaginary book too, but I haven't decided which yet.

Preview:
( the image and a high resolution detail are behind the cut )

It's for a little bit of text for a HP fanart I'm doing. You remember how in my previous entry I was looking for a piece of HP fanart I remember seeing, that was drawings of HP magical creatures, but faking to be excerpts from an old book about magical creatures from the HP universe? Anyway, I still haven't found that again, but I've decided to do my own version of this, because I like drawing monsters and think it would be cool, and the underlying concept is general enough that I don't think it would be perceived as copying someone else's idea if I did another version.

I've decided to go not for a medieval bestiary, but a later style of the time when there were fledgling natural sciences and the first real encyclopedias like Diderot's with plates of observed plants and animals, a more 18th century feel. The necessary style is quite a challenge for me, mostly because I really never draw in b/w ink with lots of crosshatching which is pretty much non-optional if I want it to look even remotely reminiscent of copperplate engraving. So I spent much of today trying to get used to crosshatching, but then again, I guess artistic challenges are good even if you fall on your face, it's not like you can improve without trying. So I'm not too worried about that, even though the end result probably will not look authentic, there will be b/w pictures of magical beasts at least.

However there is another problem, and that is the text. I guess I could do just illustration plate pages on their own, but I'd rather have a little bit of text beneath. My idea was to just change the small basic information texts from "Fantastic Beast & Where to Find Them" into a more old fashioned style and remove or change the concepts cropping up that would be anachronistic for the 18th century, e.g. mentions of allergies, but I have really no clue what style and words were common in the 18th century, much less 18th century English.

Thus I wanted to ask whether there would be anyone willing collaborate with me in this, and to edit a couple of these texts to transform them into something that could be from the 18th century. Or write different ones that would work as something from an 18th century work, I'm not picky. Based on the length of the entries in FB I'm thinking that the final page layout would be the illustration plate with the bit of text beneath because the typical text there is under 100 words, but if someone wanted to write longer 18th century style articles on magical beasts, I can also imagine posting this as a true fanart/fanfic collaboration, though I'd probably still only format the first bit of text in the art itself, and then we'd post the whole as actual text along with it or something, because I think longer texts formatted as graphics are not reader friendly.

The drawing I'm currently working on is the Bowtruckle, and I might do more if this one goes well, though I haven't decided which ones, and am open to suggestions.

So, does anyone want to help create excerpts from a 18th century reference work on magical beasts?

At least I'm fairly sure that I didn't just imagine its existence. It was drawings of HP magical creatures, but done in a style of an old bestiary, i.e. the art was faking to be excerpts from an old book about magical creatures from the HP universe. The art looked like old vintage prints and there might have been bits of text too, though I'm not sure about that. At first I suspected it might have been one of gnatkip's pieces, but I haven't found it there, so that doesn't seem to be the case.

Does anyone know which fanart I'm taking about? For all I know there could be several with this premise, as it seems a really obvious thing to do, and in that case I'd like to see any variations on this theme too, but mainly I want to look at the cool fake-bestiary again that I seem to remember... And if I somehow hallucinated this and it doesn't exist, why on earth not?? Really there should exist HP bestiaries with vintage pictures.

This is what happens if you don't tag compulsively, you never find things again. I really should start again to tag all art I look at, just like I do with fic.

Also, and this is a totally random topic shift, I got a tiny tomato plant yesterday. Not that I have a garden or anything, but I thought that maybe I could attempt to grow one in a largish flower pot in my kitchen, which is really sunny and there is a good spot for it near the window where it isn't in the way. I suspect that even with the large pot I choose to put it in it probably won't grow as well or as large as it would in a garden, but I thought it'd be nice to see something grow, and I'm not really a flower person. I mean, if it does lead to some fresh tomatoes that would be great, but it wouldn't be a big loss of an investment if it turned out that tomatoes really need an actual garden with real beds, after all it was only 60 cents for the plant, plus the 80 cent for the bamboo stick I also got with the optimistic anticipation that it might grow successfully and I'd have to bind it to something, like all the tomato plants I've seen in gardens are. I guess I'll see how it goes soon enough.

I'm not sure whether there's even any interest, because the painting itself got less comments than usual for my fanart posts, so I guess there will be ever fewer interested in the unfinished inbetween stages. But I already made the photographs after all, so I decided to go ahead with the art process post.

( very image heavy )

Fandom: Harry Potter
Characters/Pairings: Severus Snape/Kingsley Shacklebolt
Rating/warnings: PG? (sexual kissing, but no nudity)
Media used: pencil, fine liner pen with waterproof indian ink, acrylic paint, a tiny bit of white conté chalk
Notes: This took a ridiculously long time to color (bricks! how I hate them...um, moving on now *g*), but it's finally finished. It's this Snape/Shacklebolt scene in the alley from Beth's In From the Cold:

"Severus loosened his grip on Kingsley's shoulders and slid his hands down Kingsley's arms. He stopped when he reached the ends of Kingsley's sleeves, encircled Kingsley's strong-boned wrists with his fingers, then pulled Kingsley's arms up over his head. Severus transferred his hold of Kingsley's right wrist so that both of Kingsley's hands were pinned against the brick wall by one of his own, then Severus slowly lowered his other hand until it came to rest on the top of Kingsley's head.

Severus ghosted his long, sensitive fingers over Kingsley's scalp, surprised by each tiny bump and dip in what seemed perfectly smooth from a distance. He slid his hand down along the side of Kingsley's head, and he could feel Kingsley lean into his palm while Severus traced along the edge of Kingsley's ear with his thumb, clicking his thumbnail softly against the small silver hoop that hung from the lobe. Severus leaned in and took the earring in his mouth, turning the hoop slowly with his tongue."

Preview:

( the illustration and a larger detail are behind the cut )

Fandom: Harry Potter
Characters/Pairings: Severus Snape/Kingsley Shacklebolt
Rating/warnings: PG? (sexual kissing, but no nudity)
Media used: only pencil so far
Notes: I've already illustrated the epilogue of this story a while back, but always wanted to draw this Snape/Shacklebolt scene in the alley. Now, with barely two years delay, I got around to it. The relevant bit from Beth's In From the Cold is:

"Severus loosened his grip on Kingsley's shoulders and slid his hands down Kingsley's arms. He stopped when he reached the ends of Kingsley's sleeves, encircled Kingsley's strong-boned wrists with his fingers, then pulled Kingsley's arms up over his head. Severus transferred his hold of Kingsley's right wrist so that both of Kingsley's hands were pinned against the brick wall by one of his own, then Severus slowly lowered his other hand until it came to rest on the top of Kingsley's head.

Severus ghosted his long, sensitive fingers over Kingsley's scalp, surprised by each tiny bump and dip in what seemed perfectly smooth from a distance. He slid his hand down along the side of Kingsley's head, and he could feel Kingsley lean into his palm while Severus traced along the edge of Kingsley's ear with his thumb, clicking his thumbnail softly against the small silver hoop that hung from the lobe. Severus leaned in and took the earring in his mouth, turning the hoop slowly with his tongue."

If anyone from newsletters or otherwise interested in linking should stumble upon this entry, I'd prefer it if only the finished version, which I'll hopefully post soonish, was advertised more widely, not these unfinished pencils.

Preview:

( pencils and a larger detail are behind the cut )

I had a rather neat Harry Potter/The Sarah Connor Chronicles dream. Unfortunately I didn't write it down right after waking up, so I've already forgotten the plot, but it was full of action-adventure stuff. I think, iirc, the main premise was somehow that the SkyNet and Terminator machines were initially built to take care of the wizard war problems and fallout by the muggles for their protection against magic, perhaps even through time travel, only of course that backfired somehow (don't ask me how the HP and Terminator timelines were made to match up, it just worked in my dream!), and now John Connor had to fight both the Terminators and evil wizards or something. I think he and his mom may have hooked up with Harry & Co. at some point, but I'm not sure anymore of the details. Still it was a pretty cool dream. And of course there'd be great potential for our teenage heroes who are expected to save the world to commiserate in this setup, but my dream wasn't heavy on the teenage savior angst.

So, like many other people I spent much of today (well technically yesterday) reading the new Harry Potter book.

( spoilers for Harry Potter and the Deathly Hallows )

First, the whole Harry Potter thing is making me jittery. I haven't sought out the leaked copy because I'm not about to slog through hundreds of pages as crappy photographs, that's just unpleasant for reading. Not to mention that I don't really reread the HP books, so I'd rather read it the one time as proper book. But it is hard to keep away, knowing other fans have already read the book and are talking about it, even though my f-list is good with not spoiling me so far. (*insert the obligatory dire threats here*).

I will only get my copy on Saturday and I'm not the fastest reader, so at the earliest I'm going to talk about Deathly Hollows on Sunday if at all, and then I will of course use cut-tags and be very careful not to mess them up accidentally.

But until then I definitely need to distract myself with fandoms besides HP-- those still exist after all, even if half of my f-list apparently decided to avoid LJ and sometimes the internet entirely to be on the safe side. Anyway, thus I'm going to talk some more about Batman comics, in particular:

Year One: Batman/Ra's al Ghul #1-2 (written by Devin Grayson, pencils by Paul Gulacy, inks by Jimmy Palmiotti)

One of my main reasons to buy these (besides being a general sucker for all Batman comics DC publishes) was actually that I found the three color covers (black, white, and red) really attractive. I like the interior art okay too, but not as much as the covers (take a look at cover #1 and cover #2). If only the story had lived up to the packaging...

For the sake of my sanity I didn't even try to figure out why this is published as "Year One". I don't think this is supposed to fit in Batman's "Year One" or even just his early career, but rather after Batman: Death and the Maidens? But I don't have Ra's al Ghul's backstory that present. Maybe it is because of some flashbacks in the comic, and those could be made to work somehow in his first year.

First, while the basic idea that the Lazarus Pits affect death and life's balance in general was neat (even if what exactly their connection is was never really explained in any remotely consistent or logical way), the plot built around this was too thin for 96 pages. On the bright side, it had zombies, which is always a plus, but I can't say I enjoyed much else.

And even the zombies weren't particularly great specimens. Okay, so destroying the Lazarus Pits somehow stopped and even reversed death, thus the zombie problem, but I didn't really get why that particular horde of disgruntled undead was after Batman.

The action sequences were plain confusing sometimes, like when Batman was running from the zombies I had no idea how he suddenly got into the Batmobile again after, or if that even was still the vehicle he started out in earlier that night, which was definitely a car not some sort of glider. Yet later his vehicle could suddenly fly. Traditionally the car can't, right? So maybe what he used then wasn't the car, but some magically appearing Bat-Glider or whatever that was supposed to be, that we don't even see him remote call as far as I could tell. Maybe the Batmobile car transformed into a glider.

I also didn't understand what happened to the zombies he lured into that supermarket, did he lock them up there somehow? I couldn't tell, later it seemed he did lock them up, leaving them to rampage there, but why didn't they smash the glass?

Other times the action was just boring. You can tell that a comic has too little plot if it shows a frelling snowmobile chase over eight(!!) pages. Eight. I like certain kinds of action in comics, but snowmobile chases just don't come across that well in this medium. Certainly not if they last eight of the 48 pages in an issue and that on top of other chase scenes. And in a fairly pointless flashback at that.

Anyway while we get zombies, we don't really get to see Batman fight them for plain zombie fun, he flies flies around the globe interspersed with boring Ra's al Ghul flashbacks about some magical peach, and then Batman happens to find a monk chanting the Lazarus Pit formula, yet Ra's al Ghul followers were too stupid to figure that out... The whole thing made no sense to me.