Rat Creature's Journal

When I was drawing my latest piece, i.e. the SGA/Avatar fusion with Teyla as Waterbender, I was reminded again why I'm rather reluctant to try drawing fanart for tv/movie fandoms, my recent forays into SGA notwithstanding: I have a hard time with character-likeness if the character has to look like a real person.

Because my style of drawing is more comic/illustration-like than truly realist, e.g. that I like to have lineart, it needs a certain amount of simplification in facial features. Which then presents the problem of how to get there from the starting point of a realistic and fully rendered face. (Not that I can do realistic portraits, but in theory I mean.)

The first thing that usually comes to mind for trying to get a handle on how a character looks is to start with a photo of the character's actor or a screenshot of the character, and then somehow simplify from there. The reasoning is that after all basing your art on a decent photo works well enough for realistic character portraits in fanart, which are often recognizably based on promo pics and such. Yet this approach is somewhat hazardous as anyone who has seen a bad tv comic, one where the artist visibly just traced screenshots, can attest to. It's the phenomenon that in its extreme is lineart that you could even actually map over a screenshot and the lines "fit," yet if you look at the lineart alone it doesn't really look like the character at all.

The problem is of course in the nature of lineart. If you have ever tried to trace a photo, you've run into the problem that there aren't really any "lines", so usually you tend pick mostly the "high contrast borders" with a bit of abstract knowledge of how the form of the thing is thrown in. And this works okay if you have say the contrast of a leg against a bright background, but much less for things like facial features. And it is not merely distortions due to a specific photo, i.e. that depending on the light and angle your best guess for lines may not emphasize the really prominent features, but put stress on the wrong parts. It's that any reduction of photos to lines with a face makes it a caricature, even if you don't add intentional "distortions," simply because having just one line where there used to be color gradients introduces emphasis, and likeness decreases if you put that emphasis "wrong", i.e. not on the recognizable, outstanding features.

In theory this is not much of a problem, after all the goal all along is to draw the character, not to trace photos, and you just have to adjust your degree of caricature to compensate for the reduction of rendering, that is to figure out which facial features of said person deviate from the average proportion, the mean of facial features in a way, and exaggerate. I've read that even computers can do this with algorithms based on photos and make caricatures of people.

The problem I'm having is that so many actors are pretty people. See, I'm not that good with faces. It's one thing to spot how someone differs from "average" if they have huge ears (think all the Prince Charles caricatures), or a big nose, or a very distinct skull shape, but humans tend to find regular, even features more attractive, so tv characters are hard to figure out. It's not that there are no differences, obviously I recognize these people when I see them (well for the most part anyway, like I said, I'm not that good at memorizing faces), but I have no idea which features are the ones standing out most to me on a conscious level with faces like that.

I think it would be really cool if one of those caricature algorithms was made into a webtoy somewhere, and I could just give it a photo and it would warp the features to point out how it differs from the average face. Then, even though my style doesn't need outright caricature, I could use those hints for more subtle exaggeration suited for my purposes.

I guess I just wish some technology could help make up for my lack of talent/practice in character portrayal/caricature. *sigh*

Fandom: Stargate: Atlantis / Avatar: The Last Airbender Fusion
Characters/Pairings: Teyla as Waterbender
Media used: pencil, fine liner pen with waterproof indian ink, acrylic paint
Rating/warnings: G
Notes/comments: I did this for the prompt "SGA/Avatar the Last Airbender crossover" for the SGA fanart fest Painted Spires, as additional fanart for the Amnesty Week. This is more a fusion than a crossover, but I think it's still within the prompt's parameters. Originally this was supposed to be a series of portraits with each of the team matched with an element from Avatar (I thought after Teyla I'd do Rodney as Earthbender, Ronon as Firebender, and John as Airbender), but I only managed to finish Teyla in time to still post (just barely) during Amnesty Week.

Preview:

( the image and a high resolution detail are behind the cut )

I want to expand the bowtruckle drawing I posted a couple of days ago into a series, because I like drawing creatures, and I think it would be fun to have something like multiple plates from this imaginary old encyclopedia from the HP universe, especially ones with slightly more obscure bests that you don't see that often featured in fanart. But I'm undecided which beast to tackle next, hence this poll over at my LJ to help me decide. (I can't do polls here at IJ, so you can either vote over there, or just comment here with your favorite creature.)

Fandom: Harry Potter
Characters/Pairings: a bowtruckle
Media used: pencil, fine liner pen with waterproof indian ink, black tea, GIMP
Rating/warnings: G, none
Notes/comments: The drawing is finished, however I hope there'll be better text eventually that would make it seem more like an excerpt from an old book about magical creatures from the HP universe. For now I've just added some text labeling it like a plate in an encyclopedia would be, so you have to imagine the suitable text going with it. Its style is supposed to reminiscent of early encyclopedias, like Diderot's from the 18th century with copperplate engravings of observed plants and animals. My attempt at this isn't very convincing because this is the first time I've done a b/w picture in ink with crosshatching since I think 9th? grade when we learned the technique in school, but considering that it is not so bad. I may do more HP beasts in this style eventually as part of this imaginary book too, but I haven't decided which yet.

Preview:
( the image and a high resolution detail are behind the cut )

It's for a little bit of text for a HP fanart I'm doing. You remember how in my previous entry I was looking for a piece of HP fanart I remember seeing, that was drawings of HP magical creatures, but faking to be excerpts from an old book about magical creatures from the HP universe? Anyway, I still haven't found that again, but I've decided to do my own version of this, because I like drawing monsters and think it would be cool, and the underlying concept is general enough that I don't think it would be perceived as copying someone else's idea if I did another version.

I've decided to go not for a medieval bestiary, but a later style of the time when there were fledgling natural sciences and the first real encyclopedias like Diderot's with plates of observed plants and animals, a more 18th century feel. The necessary style is quite a challenge for me, mostly because I really never draw in b/w ink with lots of crosshatching which is pretty much non-optional if I want it to look even remotely reminiscent of copperplate engraving. So I spent much of today trying to get used to crosshatching, but then again, I guess artistic challenges are good even if you fall on your face, it's not like you can improve without trying. So I'm not too worried about that, even though the end result probably will not look authentic, there will be b/w pictures of magical beasts at least.

However there is another problem, and that is the text. I guess I could do just illustration plate pages on their own, but I'd rather have a little bit of text beneath. My idea was to just change the small basic information texts from "Fantastic Beast & Where to Find Them" into a more old fashioned style and remove or change the concepts cropping up that would be anachronistic for the 18th century, e.g. mentions of allergies, but I have really no clue what style and words were common in the 18th century, much less 18th century English.

Thus I wanted to ask whether there would be anyone willing collaborate with me in this, and to edit a couple of these texts to transform them into something that could be from the 18th century. Or write different ones that would work as something from an 18th century work, I'm not picky. Based on the length of the entries in FB I'm thinking that the final page layout would be the illustration plate with the bit of text beneath because the typical text there is under 100 words, but if someone wanted to write longer 18th century style articles on magical beasts, I can also imagine posting this as a true fanart/fanfic collaboration, though I'd probably still only format the first bit of text in the art itself, and then we'd post the whole as actual text along with it or something, because I think longer texts formatted as graphics are not reader friendly.

The drawing I'm currently working on is the Bowtruckle, and I might do more if this one goes well, though I haven't decided which ones, and am open to suggestions.

So, does anyone want to help create excerpts from a 18th century reference work on magical beasts?

At least I'm fairly sure that I didn't just imagine its existence. It was drawings of HP magical creatures, but done in a style of an old bestiary, i.e. the art was faking to be excerpts from an old book about magical creatures from the HP universe. The art looked like old vintage prints and there might have been bits of text too, though I'm not sure about that. At first I suspected it might have been one of gnatkip's pieces, but I haven't found it there, so that doesn't seem to be the case.

Does anyone know which fanart I'm taking about? For all I know there could be several with this premise, as it seems a really obvious thing to do, and in that case I'd like to see any variations on this theme too, but mainly I want to look at the cool fake-bestiary again that I seem to remember... And if I somehow hallucinated this and it doesn't exist, why on earth not?? Really there should exist HP bestiaries with vintage pictures.

This is what happens if you don't tag compulsively, you never find things again. I really should start again to tag all art I look at, just like I do with fic.

Also, and this is a totally random topic shift, I got a tiny tomato plant yesterday. Not that I have a garden or anything, but I thought that maybe I could attempt to grow one in a largish flower pot in my kitchen, which is really sunny and there is a good spot for it near the window where it isn't in the way. I suspect that even with the large pot I choose to put it in it probably won't grow as well or as large as it would in a garden, but I thought it'd be nice to see something grow, and I'm not really a flower person. I mean, if it does lead to some fresh tomatoes that would be great, but it wouldn't be a big loss of an investment if it turned out that tomatoes really need an actual garden with real beds, after all it was only 60 cents for the plant, plus the 80 cent for the bamboo stick I also got with the optimistic anticipation that it might grow successfully and I'd have to bind it to something, like all the tomato plants I've seen in gardens are. I guess I'll see how it goes soon enough.

Fandom: Stargate: Atlantis
Characters/Pairings: John Sheppard & Steampunk!Puddlejumper
Media used: pencil, fine liner pen with waterproof indian ink, acrylic paint
Rating/warnings: G
Notes/comments: I did this for the prompt "Victorian steampunk AU" for the SGA fanart fest Painted Spires. Admittedly mechanical pterodactyls aren't the most efficient way for a flying machine, Steampunk or otherwise, and not a very likely or even possible path technology would take from an SF standpoint, but this way was much cooler visually than merely changing the puddlejumpers with pipes or gauges or whatever. I mean, they more or less look like flying lunch boxes. Not really realistic technology, but this is Stargate after all, and I'm pretty sure John would think that mechanical, flying dinosaurs were cool.

The original is 30x40cm, so unfortunately I had to scan it in two parts, and you can see a slight line where I merged, because I fail at digital manipulation and didn't know how to make the two parts fit completely seamless.

Preview:
( The image and a higher resolution detail are behind the cut. )

Fandom: DCU (Green Arrow)
Characters/Pairings: Roy Harper (back when he was Speedy)
Media used: Wacom tablet in GIMP
Rating/warnings: PG, I guess, for drug use
Notes/comments: This took me a really long time, and I don't just mean that I first had the idea for this in 2006. I have no idea what I am doing wrong that digital coloring takes me so long, isn't it supposed to be efficient? I suppose it's one of the pitfalls of being self-taught. Anyway, it's Roy during the famous heroin addict story line. As always, feedback is very welcome.
Preview:
( the image and high resolution details are behind the cut )

Fandom: Stargate: Atlantis / His Dark Materials
Characters/Pairings: John Sheppard, Teyla Emmagan, the team's dæmons Nioke, Keho, Tykallita, and Imara
Media used: pencil, fine liner pen with waterproof indian ink, acrylic paint, a little bit colored pencils
Rating/warnings: G, none
Notes/comments: This is an illustration for Trinityofone's SGA/HDM story Dæmonology, John and Teyla and their respective dæmons are sparring with each other, while Ronon's and Rodney's dæmons watch (these two themselves are somehow offscreen). The story itself is McKay/Sheppard slash, but the picture is very much gen.

The faint, yet still annoying line in the middle where the colors don't quite match is there because the paper of the original is of a larger format than my scanner, so I had to scan it in two parts, and didn't manage to make them fit perfectly.

Astrid helped me fix some perspective and relative size and positioning problems in an earlier pencils sketch of this. The illustration is much better for it. Any remaining problems however are my fault.

Preview:
( the image and high resolution details are behind the cut )

I'm not sure whether there's even any interest, because the painting itself got less comments than usual for my fanart posts, so I guess there will be ever fewer interested in the unfinished inbetween stages. But I already made the photographs after all, so I decided to go ahead with the art process post.

( very image heavy )

Fandom: Harry Potter
Characters/Pairings: Severus Snape/Kingsley Shacklebolt
Rating/warnings: PG? (sexual kissing, but no nudity)
Media used: pencil, fine liner pen with waterproof indian ink, acrylic paint, a tiny bit of white conté chalk
Notes: This took a ridiculously long time to color (bricks! how I hate them...um, moving on now *g*), but it's finally finished. It's this Snape/Shacklebolt scene in the alley from Beth's In From the Cold:

"Severus loosened his grip on Kingsley's shoulders and slid his hands down Kingsley's arms. He stopped when he reached the ends of Kingsley's sleeves, encircled Kingsley's strong-boned wrists with his fingers, then pulled Kingsley's arms up over his head. Severus transferred his hold of Kingsley's right wrist so that both of Kingsley's hands were pinned against the brick wall by one of his own, then Severus slowly lowered his other hand until it came to rest on the top of Kingsley's head.

Severus ghosted his long, sensitive fingers over Kingsley's scalp, surprised by each tiny bump and dip in what seemed perfectly smooth from a distance. He slid his hand down along the side of Kingsley's head, and he could feel Kingsley lean into his palm while Severus traced along the edge of Kingsley's ear with his thumb, clicking his thumbnail softly against the small silver hoop that hung from the lobe. Severus leaned in and took the earring in his mouth, turning the hoop slowly with his tongue."

Preview:

( the illustration and a larger detail are behind the cut )

Fandom: Harry Potter
Characters/Pairings: Severus Snape/Kingsley Shacklebolt
Rating/warnings: PG? (sexual kissing, but no nudity)
Media used: only pencil so far
Notes: I've already illustrated the epilogue of this story a while back, but always wanted to draw this Snape/Shacklebolt scene in the alley. Now, with barely two years delay, I got around to it. The relevant bit from Beth's In From the Cold is:

"Severus loosened his grip on Kingsley's shoulders and slid his hands down Kingsley's arms. He stopped when he reached the ends of Kingsley's sleeves, encircled Kingsley's strong-boned wrists with his fingers, then pulled Kingsley's arms up over his head. Severus transferred his hold of Kingsley's right wrist so that both of Kingsley's hands were pinned against the brick wall by one of his own, then Severus slowly lowered his other hand until it came to rest on the top of Kingsley's head.

Severus ghosted his long, sensitive fingers over Kingsley's scalp, surprised by each tiny bump and dip in what seemed perfectly smooth from a distance. He slid his hand down along the side of Kingsley's head, and he could feel Kingsley lean into his palm while Severus traced along the edge of Kingsley's ear with his thumb, clicking his thumbnail softly against the small silver hoop that hung from the lobe. Severus leaned in and took the earring in his mouth, turning the hoop slowly with his tongue."

If anyone from newsletters or otherwise interested in linking should stumble upon this entry, I'd prefer it if only the finished version, which I'll hopefully post soonish, was advertised more widely, not these unfinished pencils.

Preview:

( pencils and a larger detail are behind the cut )

Because some people find the production process interesting, I decided to do a sort of "making of" post. If you'd just like to see the finished fanart, go here.

( very image heavy )

Fandom: Temeraire Series by Naomi Novik
Characters/Pairings: Iskierka
Media used: pencil, fine liner pen with waterproof indian ink, acrylic paint, a bit of white conté chalk
Rating/warnings: G, none
Notes/comments: The coloring didn't turn out quite like I intended, but it's not that bad considering that it's only the second time I colored anything with acrylic glazes. (gah, this is actually one of those "I'm new to this" apologist author's/artist's notes, isn't it? >.< ) Also for some reason my scanner not only produced a weird stripe artifact that I couldn't get rid of (it is not that intrusive, but still), it also reproduced the colors less bright than in the actual picture. *grumble*
Preview:

( the image and a detail of the head in a larger size are behind the cut )

Fandom: Temeraire Series by Naomi Novik
Characters/Pairings: Iskierka
Media used: only pencil so far
Rating/warnings: G, none
Notes/comments: I seem to be on a dragon kick lately. But I like Iskierka. I hope she looks enough like a baby while still fitting the description that they look just like smaller versions of the big ones. But making the head long and lean like I normally do for dragons to make them look ferocious didn't work for me for a baby dragon. The hatching pose took a ridiculous amount of time to get right. Maybe I'll do a real process post once it is inked and colored, showing excerpts from all the steps that were like tooth pulling, like the dozen thumbnails and head design sketches, and failed attempts. OTOH that would be kind of embarrassing, now it looks like I sat down and just did a pencil drawing as a process step...
Preview:

( the pencils are behind the cut )

Fandom: Temeraire Series by Naomi Novik
Characters/Pairings: Temeraire
Media used: pencil drawing, inked and colored with a Wacom tablet in GIMP
Rating/warnings: G, none
Notes/comments: This was done for the Yuletart gift exchange for Tylercat. I'd also like to thank brown_betty for helping me to come up with a motif, when my initial idea didn't work out, and for taking a look at the half-finished stages, spotting problems with the rocks and such.
Preview:
( the image and two high resolution details are behind the cut )

My Yuletart gift was just posted! Yay, art for me! It's a Nightwing and Arsenal drawing (gen, though you can interpret it with subtext too), so if you are into DC comics you should check it out, here.

I'm at home rather than at a party, mostly because I'm not much of a party person but it also has the advantage that I can soothe my rats through their first New Year's Eve explosions experience. So far they seem thoroughly unconcerned with all the loud noises and flashes outside, but then they usually are pretty good about distinguishing sounds outside that don't bother them and ones coming from the inside, that may pose a threat. Actually I'm wincing far more often than they at some of the sudden really loud fireworks.

So I thought I'd occupy myself with listing the stuff I drew this past year. Overall I have posted even less art in 2007 than in 2006, especially full fledged artwork. However I managed to draw a bunch of drawbles and such on request, and also did some drawing exercises, though the latter not as regularly as I intended to. I guess my New Year's resolution will be to restart posting exercise suggestions to slothsdraw, and to actually do them regularly myself this time around, rather than just one or two in a haphazard fashion.

Anyway, here's a chronological list of all things I've drawn this year:

( list of all fanart, drawbles, icon creature doodles, and exercises I drew and posted this year )

So in conclusion, if I extend "drawing" to include all doodles, icon sketches and drawing exercises, no matter how quick or lame, I have drawn and posted something almost every month. If I only count "proper" artwork, my output was far less, but at least I tried a couple of new things, especially digitally, and I made an attempt to practice more regularly, even if my slackerdom caught up with me again quickly.

So, I've gathered my courage and sent in my sign-up for yuletart after all. I guess I'm finally going to join the holiday exchange related fandom-wide flailing, that I've avoided for so many years.

I posted more exercise sketches at slothsdraw, and the result of me practicing silhouettes is actually sort of fanart, because the jumping silhouette with the city background in that drawing was supposed to be Nightwing patrolling.

Also, I'm actually surprised that I managed to do all five exercises I picked for the first week.